The company says:
In 1969, a naked woman carrying a cross, walked through the Copenhagen Stock Exhange. The performance act went under the name “Female Christ”. The fragrance Female Christ ensures that the memory of the art performance carried out at the Copenhagen Stock Exhange in 1969 will live on forever.
Female Christ fragrance notes
Head
- eucalyptus, patchouli, pimento
Heart
- rhubarb, wintergreen, red thyme, geranium
Base
- vanilla, amber, benzoin, cinnamon bark, cashmere wood
Latest Reviews of Female Christ
Female Christ is a bold and artistic take on patchouli. The opening is a huge, romantic sweep of damp, earthy patchouli, vanilla, and flowers that makes me think I know where this is going, except that instead of chocolate, the lingering impression is that of high-roast coffee, mixed with heavy cream and rhubarb compote. It is heavy, aromatic, and fruitily sour, with the eucalyptus note providing a sharp greenness that might be camphor but might also just be crushed spearmint leaves. The effect is so blown out with the musky grey-whiteness of cashmeran that you get flashes of the notes rather than a clear picture.
Very quickly though, things start to fall apart and as soon as you start to make out the individual components, the overall effect is immediately less charming. The fruitiness of the rhubarb and the vague creaminess of the white flowers conspire to create an insistent tuberose note that dominates the entire mid-section of the scent. Rubbery, florid, and overblown, this is where Female Christ smells more like Café Tuberosa (Atelier Cologne) mixed with Tyger Tyger (Bianchi) and Fracas (Piguet) and less like a cool Danish art experiment.
Yet, the traditionally feminine and sweet-plasticky-fruity-floral layers of this fragrance are stretched over a framework of an extremely dusty, hoary patchouli (think Vierges et Toreros) that smells like the small cupboard under our stairs at home where our coats, old toys, unused files, and assorted knick knacks went to die, so you have the conventionally pretty uneasily mixed with something old-mannish and dusty. The vanilla is very sweet and blooms all over the drydown, but that too clashes with the sourness and air of neglect created by the aromatics and patchouli. Female Christ is appropriately confrontational. It gives me the originality I crave but not the cohesiveness of design I need to wear it on the regular. It is a good mile marker, however, on this patchouli journey I am on. It shows me where my hard stops are.
Very quickly though, things start to fall apart and as soon as you start to make out the individual components, the overall effect is immediately less charming. The fruitiness of the rhubarb and the vague creaminess of the white flowers conspire to create an insistent tuberose note that dominates the entire mid-section of the scent. Rubbery, florid, and overblown, this is where Female Christ smells more like Café Tuberosa (Atelier Cologne) mixed with Tyger Tyger (Bianchi) and Fracas (Piguet) and less like a cool Danish art experiment.
Yet, the traditionally feminine and sweet-plasticky-fruity-floral layers of this fragrance are stretched over a framework of an extremely dusty, hoary patchouli (think Vierges et Toreros) that smells like the small cupboard under our stairs at home where our coats, old toys, unused files, and assorted knick knacks went to die, so you have the conventionally pretty uneasily mixed with something old-mannish and dusty. The vanilla is very sweet and blooms all over the drydown, but that too clashes with the sourness and air of neglect created by the aromatics and patchouli. Female Christ is appropriately confrontational. It gives me the originality I crave but not the cohesiveness of design I need to wear it on the regular. It is a good mile marker, however, on this patchouli journey I am on. It shows me where my hard stops are.
I really get the softness of this fragrance with its center notes of geranium, vanilla, benzoin and cinnamon that blend well into the cashmere wood base - this comes through from beginning to end. This is a warm fuzzy feeling that pervades this attractive holiday fougere mostly from the benzoin and cinnamon. Also prominent is rosy warmth of rhubarb and pimento which contrasts nicely with the icy coldness of wintery opening from eucalyptus, patchouli, wintergreen and thyme. I have seen this scent described as a patchouli fragrance but I get more powdery warmth and a cooling from eucalyptus and patchouli which fades after the first hour. The only significance I can derive from the provocative title, Female Christ, is the softness and feminine powdery character coupled with the smell of a snow covered winter forest scene. Thinking of the holidays and a white Christmas when smelling this scent. Female Christ would be nice Christmas gift for somebody special.
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