Les Nuits d'Hadrien fragrance notes

    • bergamot, sicilian lemon, green mandarin, tangerine, cypress, basil, cumin, juniper, ylang ylang, vanilla, sandalwood, patchouli, amber, white musk

Latest Reviews of Les Nuits d'Hadrien

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On me, this smells like a standard citrus Eau, but with extra herbs and greens. I don't smell 80% of the listed notes - mostly just citrus and basil.

I always enjoy a nice old-fashioned Eau like this, so I'm voting thumbs up, but I can't help but feel that this is a little bit unremarkable.

EDIT: A few wears later, I feel bad for calling this "unremarkable". I guess it is, in that there are a lot of colognes that follow a similar recipe, but I have to add that, as I've worn this, I've repeatedly caught little whiffs of it and thought "what's that fantastic smell??" before realizing it was Les Nuits d'Hadrien wafting up in the warm summer. So I'm changing my rating from a regular "thumbs-up" to a much more enthusiastic "thumbs up"!
11th June 2021
244895
Sweet patchouli flanker of Eau d'Hadrien. Clever. Not sure it works though.

***

Cardless vial, part used
24th June 2020
230931

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The opening is mostly a bergamot blast, with lots of mandarins and a bit of lemon, but it is less fresh than this citrus bash would make one expect: this is more a dark-ish nocturnal (the name!) glowing and smoldering citrus opening - reminding me a bit of Versace' Versus.

Soon a sandal tone develops, but at times it is not a very specific sandalwood. A sweeter development sets in, with touches of juniper and whiffs of redcurrant present at times. This combines with a light ylang-ylang that is in the brighter sind's and lacks any creamy characteristics.

The next important step is a turn into a spicier direction, which is almost singlehandedly achieved by a powerful cumin note. Reaching the base, a soft and ambery patchouli stays more in the background, as does an gentle tonka that is equally unobtrusive. What does not remain in the background is a strong lashing of white musks, which rises to become the dominant component towards the end.

I get moderate sillage, adequate projection and eight hours of longevity on my skin.

A scent for cooler summer days or evenings and somewhat different for Eau d'Hadrian, it is not exactly a fount of originality, and it is crafted skillfully. The base is a bit too generic, but there is a lot of development longitudinally. Overall still quite a good composition. 3.25/5.
21st November 2019
223412
Old-school, mature scent with a creamy lemon opening. Leans feminine to me.

I get good longevity but below average projection.
10th October 2018
207943
As with the original Eau d'Hadrien, 22 years earlier than Nuits, this is a citrus based on orange and tangerine, with lemon supporting. This is for me an equally well done "evening" version, with sweet support from amber and musk, and grounding with patchouli and cumin. The other notes listed do not reach my nose.

The original Eau has been one of my five favorite citrus scents for many years now. The Nuits joins it as a darker, quieter version. Very well done.

Turin calls it "orange fennel" (reminded of a salad he constructs) and gives it only three stars. I would say it deserves at least four.
4th December 2016
179592
I have tried the EdT in what is supposedly the feminine bottle. I tried it twice, the first time applying 3 sprays. I found it interesting enough to give it another go. The second time I sprayed 5 times! My verdict is this: fantastic opening with citrus, florals and herbs with an exciting accord. This phase of excellence lasts maybe 20 to 30 minutes. Then the fragrance although still enchanting just dies a fast death. The silage is pathetic after the 30 first minutes and after an hour is almost non existent; it becomes a skin scent that first it is enveloping but soon it becomes very quite. This skin scent phase lasts at best 4-5 hours (with the 5 sprays). For such an interesting fragrance to have so poor performance it makes it even more disappointing. Pity!
30th June 2014
142994
Show all 42 Reviews of Les Nuits d'Hadrien by Annick Goutal