baklavaRuzh
Well-known member
- Sep 3, 2022
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@Redneck Perfumisto introduced the concept of "fembro hell" in the chanuary thread which perhaps, as a concept, which if further explored, might be the savoir of the entire bro community of frag and performace anxiety?Now, this is fascinating, in part because I have been seeing more of this 'fragbro' used derisively. There's definitely something to unpack there. However, I think it's best saved for a different thread, to save this one from going way off track.
The term fembro, and correct if I'm wrong, is a portmanteau of "female" or "feminine'' with "brother" (abbreviated colloquially as "bro"), and it underscores a nuanced etymological relationship that reflects broader trends in contemporary digital and subcultural vernaculars; the opposition and introduction of an outside culture, such as a more diverse appreciation for fragrances, in a bro space. As such, it could be a linguistic innovation that serves not only as a means of in-group and out-group identification but also for cultural negotiation and the reimagining of social categories as a sort of anti-bro, but still-included-in-the-bro-realm alternative category?
Could the dichotomous concepts of "fembro", although less established, and "fragbro" begin to converge, underscoring a dialectical synthesis that Simone de Beauvoir might have conceptualized as an embodiment of the "other" within the self? Then, the acceptance of more diverse quality of fragrances such as the fleeting, sweet and fresh fragrances within the "fragbro" community, traditionally eschewed for their perceived weakness, becomes a testament to the Beauvoirian notion that identity—much like fragrance—is neither fixed nor inherent but is instead a fluid construct, shaped by cultural, social, and interpersonal dynamics. As such, the focus on performance could be diversified in the community as a result of this convergence.
Paul-Michel Foucault's ideas on power relations and the formation of knowledge systems offer an alternative lens. If "fembro hell" is indeed embraced by the fragrance community, can it be seen as a subversion of established "scent narratives," challenging the hegemonic discourse that dictates which fragrances are appropriate for bros? Foucault’s concept of "biopower" is mirrored in the way scent influences behavior and identity perception, suggesting that the liberation of fragrance preferences could signify a broader emancipation from rigid, binary constructs of performing and non-performing fragrances, and a higher appreciation for more diverse aspects.
The Spartan ethos of camaraderie should also be explored in this context and perhaps offer another model. It was characterized by a profound bond forged by shared endeavors despite differences, which applies to the digital fragrance community in certain situations don't you think?
So the narrative of "fembro hell" should not only be about the acceptance of diverse olfactory preferences but a profound commentary on identity, camaraderie, and the human condition. After all, the only thing longer lasting than Spartan loyalty is the scent trail of Baccarat Rouge 540, leaving an impression as indelible as a Spartan's well-oiled glock.
So perhaps the @Redneck Perfumisto concept of "fembro hell" is a sign of more inclusive olfactory culture? Perhaps this concept is something to explore further.